Title: Ruby Sparks
Director: Valerie Faris and
Jonathan Dayton
Released: 2012
Staring: Paul Dano, Zoe Kazan, Elliott Gould, Chris Messina, Annette Bening, Antonio Banderas, Steve Coogan, Alia Shawkat
Plot: Calvin (Dano) a struggling young novelist and writing prodigy, who after being launched into superstardom with his first novel, now finds himself plagued with writer’s block while working on the follow up. Unwittingly though he manages to bring his latest character Ruby Sparks (Zoe Kazan) to life, whom he soon embarks on a relationship with having based her on his dream girl, only to find that even the seemingly most perfect girl can be less than perfect.
Released: 2012
Staring: Paul Dano, Zoe Kazan, Elliott Gould, Chris Messina, Annette Bening, Antonio Banderas, Steve Coogan, Alia Shawkat
Plot: Calvin (Dano) a struggling young novelist and writing prodigy, who after being launched into superstardom with his first novel, now finds himself plagued with writer’s block while working on the follow up. Unwittingly though he manages to bring his latest character Ruby Sparks (Zoe Kazan) to life, whom he soon embarks on a relationship with having based her on his dream girl, only to find that even the seemingly most perfect girl can be less than perfect.
Review: Despite releasing the wonderful “Little Miss Sunshine” to critical acclaim it has taken another six years for us to finally receive
this follow up from the husband and wife directing duo who truly established themselves as an original voice
of indie film making with their debut feature, especially after having spent the early years of their
career directing music videos for the likes of “R.E.M.” and “The Smashing
Pumpkins” and it was great to see them able to carry their unique visions into
feature film making and something which thankfully still remains here, while
Zoe Kazan who appears here as the titular Ruby makes her own writing debut with
a non the less confident voice.
Bizarrely the script was inspired by a random combination of a discarded mannequin and the Greek myth of “Pygmalion” the sculptor who fell in love with a statue he had carved. Working with the equally imaginative Faris and Dayton they have together crafted here a highly unique rom-com of sorts via the way of “Stranger Than Fiction” which is also looked at the idea of fiction shaping reality, something which especially comes into play during the second half of the film when Calvin realises that he can still shape Ruby’s character with a few keystrokes on his typewriter, he can make her speak fluent French or even change her personality completely. While portrayed in the trailers as a light hearted rom-com, the film also hides a much darker side, especially once Calvin starts adjusting her personality to smooth over the things he doesn’t like, as he makes her more clingy and carefree before finally taking out an unnerving dominant side on her, as he further enforces just how control he is of her life, while his performance during this scene means that I won’t surprised if we see him playing a serial killer in the near future
Bizarrely the script was inspired by a random combination of a discarded mannequin and the Greek myth of “Pygmalion” the sculptor who fell in love with a statue he had carved. Working with the equally imaginative Faris and Dayton they have together crafted here a highly unique rom-com of sorts via the way of “Stranger Than Fiction” which is also looked at the idea of fiction shaping reality, something which especially comes into play during the second half of the film when Calvin realises that he can still shape Ruby’s character with a few keystrokes on his typewriter, he can make her speak fluent French or even change her personality completely. While portrayed in the trailers as a light hearted rom-com, the film also hides a much darker side, especially once Calvin starts adjusting her personality to smooth over the things he doesn’t like, as he makes her more clingy and carefree before finally taking out an unnerving dominant side on her, as he further enforces just how control he is of her life, while his performance during this scene means that I won’t surprised if we see him playing a serial killer in the near future
Right from the start though this film just oozes indie cool,
as you realise that this film could only have been made as an indie film, as it
requires the level of subtlety that this film brings to the table, even go so
far as to not complicate the sudden arrival of Ruby nor the rules of her
existence. Honestly I don’t even think they explain how she came to exist in
reality, but rather the film takes the tact of throwing the idea out to the
audience and challenging them to go along with it, which thanks to how engaging
these characters are is never a problem, even if Faris and Dayton do give into
convention for the ending which seemed perhaps a little more traditional than I
would have expected from this film, which seemingly has it’s ending only to
tact a happier one on top of it.
Both Dano and Kazan give amazing performances here and
despite being an off screen couple, manage the not so easy feat of showing real
on screen chemistry, with both actors playing off each others performances
well, with Faris and Dayton reuniting here with Dano convincingly playing the fumbling and reclusive literacy
prodigy, who spends his days walking his dog Scotty (named after his favourite
author F. Scott Fitzgerald), pottering around his minimalist LA apartment or
sitting in front of his classic typewriter crippled with the pressures of
producing a second novel and whose only real connection to the outside world
being through his therapy sessions Dr. Rosenthal (Gould) or gym
sessions with his brother Harry (Messina) who is essentially the complete
opposite of Calvin as he exudes confidence and generally lives the life which
Calvin wishes he could have. Kazan here embodies the character the character of
Ruby, not only in her quirky original form, but also as she is gradually
changed by Calvin over the course of the film, embodying each change with an
air of indie cool so that you truly believe that Calvin is changing and
reshaping her personality with the keys of his typewriter.
While Faris and Dayton
hit casting gold with their leads, this luck also extends to the supporting
cast aswell with Annette Bening and Antonio Banderas, proving a fun addition as
Calvin’s hippy mother and her boyfriend, whose carefree lifestyle sits in
direct opposition to the organised and high stress life Calvin currently finds
himself in. Elsewhere Steve Coogan puts in a fun cameo as Calvin’s writing
rival and friend Langdon Tharp, as does indie favourite Alia Shawkat who puts
in a far to brief appearance as Calvin’s obsessed fan Mabel.
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