Title: Krampus
Director: Michael
Dougherty
Released: 2015
Starring: Adam
Scott, Toni Collette, David Koechner, Allison Tolman, Conchata
Ferrell, Emjay Anthony, Stefania LaVie Owen, Krista Stadler
Plot: Max (Anthony)
is losing faith in Christmas and while his dysfunctional family clash
over Christmas plans he decides to not bother with the holiday at all
while unwittingly summoning Krampus who plans to punish all the
non-believers in town.
Review: Riding in on
a surprise wave of popularity for the Krampus mythos that unsuprisingly saw a huge
number of these films being released, the majority straight to DVD
with this one unquestionably being the standout film, no doubt thanks
to director Michael Dougherty being attached to the film whose best
known for directing the cult holiday horror “Trick ‘r Treat”.
Now switching
holiday’s to Christmas as he opens to slow motion crowds battling
for holiday deals while introducing Max as he brawls with a portly
bully during a nativity play which really sets the playfully chaotic
tone of the film. Of course the tension between the family is only
added to when Sarah’s (Collette) sister Linda (Tolman) and her
redneck family roll into town for Christmas while also bringing aunt
Dorothy (Ferrell) in tow.
Linda’s family are
an amusing counter to Sarah’s who on the surface seem to be living
this suburban dream in their perfect house. Linda’s family
meanwhile are crass and slovenly which makes the casting of David
Koechner as Linda’s husband Howard all the more perfect especially
when he’s spent the best part of his career playing these kinds of
characters. Thier kids meanwhile are no better as their daughters
are a pair of tom boyish bully’s who when not wrestling in the
lounge are tormenting Max making you wonder if they are playing the
role of the sons that Howard wished he has, especially as his only
son Howie Jr. (Flack) is an almost permanently mute lump.
This mixed bag of
characters are of course forced to put their differences aside as a
mysterious snow storm blows into town bringing with it Krampus. Now
for those not familiar with the mythos of Krampus he is a character
of Germanic folklaw who takes the form of a half-goat half-demon who
like Santa rewards good children with presents while punishing those
who have been bad. Needless to say its the punishing of the bad which
takes the main focus here with Dougherty bringing a truly monstrous
vision of the character to the screen and whose legacy is explained
by Tom’s (Scott) German mother Omi (Stadler) with the flashback to
her childhood encounter with Krampus being delightfully told via old
school stop motion animation so that it resembles a twisted Rankin /
Bass Production but its a great way to sell the mythos of this
fantastical character.
In something of a
switch-a-roo here Krampus is largely kept to the background as he
plays the prankster taunting the family inside the house while
unleashing various demonic toys aswell as his troupe of creepy masked
elves. This might prove something of a disappointment for some
especially with Krampus being shown as this hulk of a creation you’d
expect him to be laying siege to the family home rather than
tormenting them from afar. What makes up for it though are the
demonic toys he unleashes on the family including a man-eating Jack
in the Box aswell as a fantastic were-bear! The real standout here
though are the killer gingerbread men who as soon as I saw them
welding a nail-gun capturing that same anarchic sense of fun that
made “Gremlins” such a blast.
The character design
of these various demonic beasts are incredible as well as highly
original in their contruction with Krampus for the most part seen in
the distance of cut off by the screen, though by the time we do get
to see his face at the end he still can be seen wearing a Santa mask,
playing up the idea here that Krampus is Santa’s shadow / dark
side. The elves keeping with the theme are also wearing creepy masks
which really keeps with the dark theme and I appreciated the fact
that they where kept to the final quarter making their sudden
appearance all the more surprising and ultimately effective when they
did appear.
While the film might
not be heavy on splatter and gore it is none the less still an
effective piece, with Dougherty building the tension for the first
half before unleashing all kinds of chaos in the second half. While
there might not be much in terms of gore, here is still manages more
than a few surprising moments thanks largely to the demonic Jack-in
the box while at the same time the order he chooses to despatch
characters is far from as predictable as it might seem and certainly
caught me by surprise when a character I expected to be there till
the end was suddenly dispatched and its only the more credit to
Dougherty that he will happily remove one of the children as
willingly as any of the adult characters slowly whittling the group
down to its key players as he builds to his biblical finale.
If I had one nagging
point it would the ending which while it could certainly be perceived
in a number of ways, my main issue came with the fact that it felt so
tacked on and almost as if it has been added further to a note from
an unhappy studio exec unwilling to let the film end on a potentially
downbeat ending. Thankfully the ride up to this point that it makes
it easier to get past especially when it ultimately isn’t taking
anything away from the film as whole.
Dougherty really has
created something special with Krampus and while part of me would
love to see him follow it up with a part 2, the other side of me
doesn’t want to do anything to risk ruining or watering down the
experience he gives us here, let alone take away any of the mistique
of his take on the creature. Needless to say this is one film I’d
happily add into my year alt. Christmas rotation of films.
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