Director: King Hu
Released: 1966
Starring: Cheng
Pei-pei, Yueh Hua, Chan Hung-lit, Lee Wan-chung, Yeung Chi-hing, Ku
Feng, Jao Li-jen, Wong Chung, Cheung Hei, Angela Pan
Plot: When a group
of thugs kidnaps a young official in a bid to free their imprisoned
leader Golden Swallow (Cheng Pei-pei) is sent to rescue him, while
finding unlikely help in the beggar and secret kung fu master Drunken
Cat (Yueh Hua)
Review: For a film
which is seen as such an important milestone for martial arts cinema
its somewhat frustrating that like the majority of films in the Shaw
Brothers back catalogue that like the Godzilla series the lousy
distribution has meant that bar a handful of titles few have made it
over to region 2. True Amazon have now started to add some of these
films but it still doesn’t answer the question as to why this film
has been so frequently over looked while we can get 7+ releases of
every Bruce Lee movie.
Noteworthy for being
the first Martial arts film to move away from the Chinese opera
inspired theatrics which had for the longest time been a staple of
the Martial Arts genre, here director King Hu ushered in a brief era
of serious minded martial arts movies which ultimately would meet its
demise with the rise in popularity of the wire-fu movies. However its
ideals would not be squashed entirely with the early 2000’s it was
clear that they were instead merely dormant as the influence of this
film can certainly be seen in the likes of Zhang Yimou “Hero”
and “Crouching Tiger, Hidden Dragon” which saw Ang Lee bringing
the star of this film Cheng Pei-pei out of retirement to play the
villainous Jade Fox.
Despite only being
19 when she headlined this film Cheng Pei-pei confidently plays the
role of Golden Swallow, a role she would play again in the sequel,
but also setting her on the path of being one of the more
identifiable Swordswomen in martial arts cinema which has seen her
working almost continuously since. Here though she is captivating in
the role from the first scene we see her in as she enters the local
Inn looking for information on the bandits holding the official who
is also her brother.
While more
restrained in its action than other titles in the Shaw Bros. Back
catalogue when we do get an action scene it is still entracing to
watch her movements, especially with her fighting style being less
based around power but instead focusing on graceful movements which
plays to Cheng Pei-pei’s advantage with her background as a dancer
much like Michelle Yeoh with her ability to memorise choreography
here proving much key than the martial arts training she undertook
prior to making the film. That being said Pei-pei already establishes
herself as a badass before she even draws her sword warning a group
of would-be attackers with the use of chopsticks and coins which she
embeds in the walls of the inn with ease. My favourite of these
subtle little movements though is the slight shift of her gaze to the
side which would go on to be one of her trademarks.
Outside of Pei-pei’s
scenes there is plenty of enjoyable sword play with the film opening
to the bandits massacring the government official's guard. A scene
which is surprisingly bloody even including a hand being almost
comedically hacked off in the fray. At the same time we do get some
surprisingly shocking moments of violence mixed in including the
murder of a child monk by the villain Smiling Tiger (Lee Wan-chung)
which comes seemingly out of nowhere and seeing how its so jarring
compared to the rest of the film, I can’t help but wonder if this
was as shocking back when the film was originally released.
One of the more
jarring aspects of the film though is how Golden Swallow is pushed
into the background when she gets hit with a poison dart around the
halfway point with the focus instead shifting to Drunken Cat (Yueh
Hua) the begger and martial arts master in hiding. Infact even our
main villian at this point, the pancake makeup loving and generally
theatrical Smiling Tiger is changed out for the evil abbot Liao Kung
(Yeung Chi-hiung) who he attended the same Kung-fu school as Drunken
Cat. There conflict providing one of the more fantastic elements of
the film as the pair exchange magical blows as they battle for
control over the bamboo staff of their master.
Seemingly this shift
was down to King Hu doubting the abilities of Yueh Hua as a leading
man, even though he does end up stealing most of the scenes he
appears in, while Jackie Chan has noted the character was an
inspiration for his own comedic and physical style of moment as Yueh
Hua paints a very different idea of the martial arts hero, especially
when compared to Golden Swallow.#
A enjoyable romp with some standout action sequences which alone are worth giving it a look, let alone the star making turn by Cheng Pei-pei
A enjoyable romp with some standout action sequences which alone are worth giving it a look, let alone the star making turn by Cheng Pei-pei
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