Title: Hellraiser 4:
Bloodline
Director: Kevin
Yagher (credited as Alan Smithee) / Joe Chappelle (Uncredited)
Released: 1996
Starring: Bruce
Ramsay, Valentina Vargas, Doug Bradley, Charlotte Chatton, Adam
Scott, Kim Myers, Mickey Cottrell, Louis Turenne, Courtland Mead,
Louis Mustillo, Paul Perri, Pat Skipper, Christine Harnos, Michael
Polish, Mark Polish
Plot: Engineer Dr.
Paul Merchant (Ramsey) has sealed himself aboard “The Minos” a
space station he designed as part of a final showdown he’s
orchestrated with Pinhead (Bradley) as he reveals his families legacy
and their part in the creation of the Lament Configuration to
security officer Rimmer (Harnos)
Review: There’s a
real sense of finality to this volume of the long running series and
perhaps had the franchise not been questionably revived in 2000 with
the Direct to DVD “Hellraiser: Inferno” perhaps this would have
been the film to bring the series to a fitting close. Still during
the pre-production series creator Clive Barker envisioned a three
part film spanning three different time periods in an attempt to
freshen up the series.
Despite Miramax
giving the project the green light the project was compressed down
into a single film which throughout its production remained a
troubled one as both the cinematographer and Assistant director where
replaced, while both the art department and camera crew were
dismissed a week into the production. Somehow Yagher managed to still
deliver the film not only only time but on budget yet Miramax
executives where unhappy with the finished film and demanded rewrites
to make Pinhead a prominent role determined it would seem still to
make the character the poster boy for the series like Jason and
Freddy had been for theirs, regardless of the fact that the
“Hellraiser” films operated on more levels than a slasher. Yagher
wasn’t overly opposed to these changes but instead was more
concerned about the film drifting too far from the film he had turned
in leaving the studio to bring in Joe Chappelle to implement the
changes required to complete the film along the way cutting the film
down from its original 110 min runtime down to 85, much to the dismay
of Yagher who requested his name be removed from the film using
instead the DGA pseudonym Alan Smithee.
Opening in the year
2127 which is always kind of a worrying sign that your franchise has
gone into space seeing how its long served as where you put the
franchise when your fresh out of ideas (see Jason X, Critters 4 and
Leprechaun 4) but visualy its actually pretty intresting as here
Yagher seems to be taking his set designs from “Alien” as Dr.
Merchant remotely controls a robot to solve the puzzle box though why
everyone seems to be sitting cross legged when they solve the box
(robot included) remains a baffling oddity. From here though we
flashback to the creation of the box in 1796 France by Dr. Merchant’s
ancestor the French toymaker Phillip LeMarchand who makes the box for
aristocrat and illusionist Duc de L’lsle (Cottrell) who gives the
box its now all familiar power of opening a gateway to hell and which
more interestingly he also uses to summon the demon Angelique
(Vargas).
Angelique adds a new
dimension to the series seeing how she is a demon in a human skin, in
this case a former peasant girl and a far cry from the S&M
favouring cenobites we have come to associate with the series. The
relationship she shares with Pinhead is equally fascinating when he
shows up in the modern day timeline to claim the soul of another of
Dr. Merchant’s descendants this time the architect John Merchant
whose skyscraper we saw at the end of “Hellraiser 3: Hell On
Earth”. I just loved the idea that these two demons could approach
their duties in such different ways with Pinhead being very much all
business and likes to get straight into causing pain and suffering,
while Angelique being an older demon prefers to corrupt her victims
using temptation. Seeing such conflict makes a change of pace from
just having Pinhead as the unquestioned leader even if this pairing
is greatly toned down from the more violent relationship they shared
in the original script. Sadly by the time we get into the future
timeline and she has returned in Cenobite form she is a much more
muted character and essentially just another member of Pinhead’s
latest collective.
Pinhead gets a lot
more depth added to his character in this entry, rather than just
showing up and playing intimidation games with his intended victims,
in this entry he is shown as actually having more of a goal than we
have previously seen from him. Doug Bradley clearly realises the
opportunity to flex his acting chops and really makes the most of his
scenes, while selling this idea of the ongoing rivalry between the
forces of hell and the bloodline of these characters who essentially
take the role we’d no doubt expect to be represent by the forces of
heaven in another production. True we might not get any great
insights into his background or what drives him but the final
confrontation between him and Dr. Merchant is another high point for
the series and would have provided the perfect end note for the
character had the allure of milking the franchise legacy for easy
bucks not screwed things up.
As with the previous
film the Cenobites here once more fail to live up to the legacy of
the original group we got in the first two films even if they are
certainly an improvement over the hodgepodge of ideas we got in the
previous film. Cenobite Angelique is a forgettable design, while the
Chatterer gets reworked into Pinhead’s pet dog known here as the
Chatterer beast which is a fantastic design and practical effect. We
also get a pair of twin security guards who are turned into the Twins
cenobite which is another fantastic design and one which played a lot
different than I expected. There is a scene around the halfway point
of a chubby man being dragged into hell which I thought for a moment
would be the creation of the Butterball cenobite which even though it
might not have made sense in the time line would have still been nice
to see, but sadly doesn’t happen here.
While the first past
and present timelines have their interesting moments throughout, by
the time we finally get back to the future timeline the events start
to feel much more rushed leaving me to wonder if this segment had
been where the most cuts had been made. More so when this segment
really only serves to have the security team meet their demise in a
number of gruesome and gory ways which have become such a cornerstone
for the series though with the exception of a couple of deaths fall
largely flat, while Rimmer killing the Chatterer beast screws up its
pay off with the timing of its one liner which comes way too early to
be effective.
This is by no means
a perfect film, especially when it lingers for the most part around
the ass end of okay, but at the same time the scope and ideas here
make it such a fascinating mess and only more of a shame that like
the entries which followed it has been largely forgotten it would
seem as boxsets of the franchise always comprise of the first 3 films
ignoring this film which truly can be seen as the end of that first
saga. Yes it is a far cry from what the first two films established
but at the same time for fans of the series its still an entry worth
your time.
No comments:
Post a Comment