Title: High-Rise
Director: Ben
Wheatley
Released: 2015
Starring: Tom
Hiddleston, Jeremy Irons, Sienna Miller, Luke Evans, Elisabeth Moss,
James Purefoy, Keely Hawes, Augustus Prew, Peter Ferdinando
Plot: A high-rise
tower block on the outskirts of London is the setting for a
self-contained collaspse of society as the social classes go to war
with each other.
Review: Another
novel deemed unfilmable it remained a passion project for
producer Jeremy Thomas since he bought the rights to JG Ballard’s
novel when it was released in 1975. Since then it has seen both
Nicolas Roeg and Vincenzo Natali attached to the project before it
finally came to Director Ben Wheatley who for myself is another director much like Steve Mcqueen
whose hardly set my world on fire with his films to date, despite
being seemingly universally acclaimed by everyone else.
Despite my
reservations about Wheatly directing this adaptation here he really
delivers something quite different to what we have seen from him
previously as here he takes cues from the sterile cityscapes of
Cronenberg’s “Shivers” and Kubrick’s “A Clockwork Orange”
while maintaing the period setting from the novel’s release even
though its not explicitly stated that the film is set in the 70’s
from the lack of modern tech, fashions and the fact that everyone is
constantly smoking its clear when the film is supposed to be set.
This is also a film which opens with Tom Hiddleston’s Physiologist
Dr. Robert Laing barbecuing a dog while the world around him in the
High-rise has clearly gone straight to hell as the one stylish and
modern surroundings have turned into a world of chaos and filth.
From his surprising
opening the film flashes back three months previous as following the
death of his sister Laing moves into the apartment on the 25th
floor fitting of his current social status as the building has been
designed to house people based on their status meaning that those
higher up in the society live on the top floors, while the common
folks live on the lower floors with the building also containing
everything the residents might need from a supermarket and swimming
pool through to a school so that the majority of the residents never
leave the building apart from the daily mass migration of people
going to and returning from work all at the same time with an almost
industry feeling to such synchronised movement. Even Laing isn’t
free from the allure of this lifestyle especially when he is invited
to attend a party in the building’s penthouse occupied by the
buildings fittingly named architect Royal (Irons).
While the decline in
the social infrastructure starts small with blackouts and blocked
trash shoots its safe to say things quickly get out of hand fast,
with Wheatly seemingly feeling that those few slight annoyances are
enough for him to put the pedal down and lurge the events forward in
the tower block so that life inside the High-rise is suddenly thrown
into total chaos being spearheaded by lower floor resident Wilder
(Evans) who while introduced as perticularly sleazy social climber
soon become a full blown revolutionary leader to the point where the
higher up residents who’ve descended into Caligula style debauchery
attempt to convince Laing to have him lobotomised seemingly for fear
that his actions will ruin their partying while seemingly oblivious
for the most part about the chaos erupting on the lower floors.
An extremely visual
film the beauty here is really in the small details scattered
throughout the chaos from aspects of the characters costumes to
things happening in the background such as the documentary film crew
covering the supermarket riot, meaning there is always something to
see of witness here especially with the cast of characters being so
numerous, which equally proves to be one of the downfalls here, as
many of these characters get lost in the mix, while when they start
to get increasingly grotty and disheveled its hard to tell what role
they played originally. Others such as Sienna Miller’s Charlotte
are just forgettable because of her perfomance...seriously who is
still giving her work?
Outside of Miller
giving yet another tepid performance the rest of the cast are
likeable in their roles even though the performances throughout
differ as Tom Hiddleston is engaging throughout as the lead, while
his opening and closing narration made me wish that it had been
carried throughout. Jeremy Irons meanwhile gives an equally
interesting performance as Royal even if his character is hampered by
some questionable plot holes, such as why he’s happy to let the
building decend in chaos, let alone why he sends away the only two
inquiring coppers we see. My personal favourite though was seeing
Reece Shearsmith as the orthodontist Nathan whose ultimate fate we
actually get to see in the opening and who arguable become more
interesting the more the building descends into chaos.
While I might have
preferred this film over Wheatley’s other work its still a
diversive piece that won’t be for everyone, but for Ballard fan’s
or those who can appreciate the vein of pitch black humour which runs
through the film especially when this is a truly unique vision and
one which justifies the years in development hell, while at the same
time leaving me wondering where Wheatly goes from here.
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