Director: Mark L.
Lester
Released: 1985
Starring: Arnold
Schwarzenegger, Rae Dawn Chong, Dan Hedaya, Vernon Wells, James
Olson, David Patrick Kelly, Alyssa Milano, Bill Duke,
Plot: Retired
Commando John Matrix (Schwarzenegger) has settled into an isolated
life with his daughter (Milano), only to find himself being forced to
carry out a political assassination when his daughter is kidnapped.
Now Matrix has eleven hours to rescue his daughter from her
kidnappers.
Review: Having
launched himself into the public conscious with the Conan movies and
“The Terminator” with this film we really started to the see the
foundations of the Arnie formula starting with his introduction in
this film consisting of close up shots of his muscular frame which
only seem to make everything seem bigger and more impressive than it
is. Even the chainsaw which looks pretty tiny when we see it, looks
like its 6 ft long in its vanity shot.
The opening shot of
Schwarzenegger carrying a log over his shoulder is such an iconic
shot and feels almost like the studio introducing a major star being introduced and it could
be considered so seeing how compared to the films which came before
it, it’s tonly very different with Schwarzenegger trading in the
sword and sorcery antics of his early films (Conan / Red Sonja) being changed out for one liners and heroic
gunplay which would become the foundation of the classic
Schwarzenegger movie formula. Its only on rewatching the film that
you also realise just how bonkers that opening title sequence is as
we go from shots of the all powerful, man of the earth to shots of
Matrix and his daughter getting ice cream and hand feeding a deer,
which while important to show the life that Matrix has made for
himself since his retirement from the special forces tonely is just
such a random switch.
The plot itself is
paper thin and really only serves to guide the audience from one
exciting moment to the next, especially when Matrix has to do very
little work to find his way to the villain Arius’s (Hedaya) hideout
on the fictional Val Verde which was also referenced in both
“Predator” and “Die Hard 2: Die Harder” which like this film
needed a Spanish speaking country like Cuba or Nicaragua but at the
same time wanting to avoid any potential diplomatic issues. Sadly the
film really lacks a defined villain so it ends up that the henchmen
here are actually more interesting than Arius with of course the most
key being Vernon Wells “Freddie Mercury on steroids” Bennett
another stone cold psycho as Wells channels the same kind of driven
intensity which made “Wez” in “Mad Max 2” such a memorable
villian, though the questionable fashion choices remain present as
here he trades in his ass-less chaps for a chain mail vest! His knife
fight with Schwarzenegger though at the finale is the stuff of action
movie legend.
Of course the
Arnie formula isn’t quite perfect at this point as Matrix is not only
shown as being the muscular badass but also capable to superhuman
feats of strength such as the ability to tear phone boxes out of the
ground or throw nine mall security guards through the air. The
strength element is always played down usually with Schwarzenegger’s
body size being more of a key element than any kind of strength.
These moments as a result end up being pretty jarring when they occur
though this film more than nails is the ridiculous elements of heroic
gun play which in turn would form the blueprint for the action movie
genre.
The action scenes
are unquestionably the best parts of the film and only build as the
film goes on from a hotel room fist fight with Bill Duke’s green
beret (he eats them for breakfast) hanging David Patrick Kelly (who
looks comically short throughout) off a cliff. The grand finale being
the now legendry shootout with Arius’s personal army which see’s
Matrix not only getting to pull out all the “War Toys” but also
fire countless bullets without ever having to reload but also find
something to turn into a weapon regardless of how cornered he appears
to be. The body count alone for this finale might be one of the
largest ever filmed.
The other noteworthy
aspect of this film and certainly its most overlooked come from Rae
Dawn Chong’s unlikely sidekick and air hostess Cindy who is
initially unwillingly coerced into helping Matrix get his daughter
back only to turn out to be surprisingly resourceful let alone
perhaps the first ever member of the “Girls with Rockets” club by
taking out a police truck with a rocket launcher. Why is it so rare
to see women firing rocket launchers or similar in films? Certainly
its a question which came to me when I was on the “Exploding Helicopter Podcast” discussing “Hard Ticket To Hawaii” and lead
to me creating a list on Letterboxd to log every film this happens
(feel free to name your ideas) so its safe to say thats this film
should also get a credit for being so forward thinking to have her
weld such a traditionally male weapon with just as much competence as
her male counterpart….even if she does initially have it the wrong
way around.
A fun side note is
that originally this film was going to have a sequel which would have
been a reworked version of “Die Hard” and seen Matrix being hired
to head up a security team at the big corporation were his daughter
is also working as a lawyer. Matrix would make up a team of the
toughest and most dangerous people he knows only for them to turn out
to be inline with the company he’s working for which is really just
a front for illegal arms deals. Matrix of course ending up to fight
through all the people he hired to rescue his daughter again which
sounds like a great plot but at the same time its hard to argue
against how “Die Hard” ultimately turned out. Who knows maybe
this will be the plot of “Expendables 4”
For mindless fun
this is unquestionably one of the key Schwarzenegger films and one
whose cult status has only increased in recent years. Here though we
get everything we want from an Arnie movie and while it might not be
perfect there enough mindless violence and action to make for the
perfect popcorn movie.
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