Director: Tim Pope
Released: 1996
Starring: Vincent
Perez, Mia Kirshner, Richard Brooks, Thuy Trang, Iggy Pop, Thomas
Jane, Vincent Castellanos, Eric Acosta, Beverley Mitchell, Ian Dury
Plot: When mechanic Ashe
(Perez) and his son are murdered under the orders of Los Angeles drug
kingpin Judah Earl (Brooks) after they accidently witness a murder
being carried out by his followers. Resurrected as the Crow Ashe now
sets out to seek his revenge.
Review: It was
always going to be a difficult task to follow on from the cult
original film but believing that they could make a franchise out of
the idea, the Weinstein’s offered the job to Music video director
Tim Pope for his feature film debut. They also brought in David S.
Goyer to write the script who at this point was yet to really make a
name for himself having previously written the scripts for “Death
Warrant” and “Demonic Toys” with this film sitting on the cusp
of his mainstream success as he also working the scripts for “Dark City” and “Blade” at the same time he was writing this script.
Moving the story
from Detroit to Los Angeles the look of the cityscape is still pretty
much the same landscape of seemingly eternal darkness and urban
decay. Despite this similarity Pope and Goyer had initially wanted to
make a film which was different from the first film especially out of
respect to Brandon Lee. who only for the Weinstein’s in their usual
misguided wisdom to make demands for the film to be recut so that it
was similar to original as possibly ultimately leading to both Pope
and Goyer disowning the film as it no longer represented their
vision. Goyer was especially dismayed by the changes having fought to
cut out the resurrection of villains Top Dollar and Grange from the
first film.
One character who
does return from the first film as well as admittedly older is Sarah
who is no longer the skateboarding tomboy of the first film but here
is all grown up and working in the city as a tattoo artist and
painter. Here she serves to fill in the mythology when required as
she helps Ashe on his quest for vengeance. One of the potential
scripts for the film had her returning as the female Crow, which
while certainly a cool idea is one I was glad they didn’t go with
for the film and even though Sarah returning wasn’t anywhere on the
list of things I’d want to see from a sequel here it still works
and her appearance also means we get to see Ian Dury showing
surprising acting ability as her boss Noah.
Equally surprising
in their acting ability is Iggy Pop whose acting C.V. is surprisingly
more extensive than his brief appearances in “Tank Girl” and
“Hardware” and here as one of Judah’s thugs “Curve” he
makes up for turning down the role of “Funboy” in the original
film and turns out to be one of the better aspects of the film and
really gives us one of the more odious villains of the film and
arguably the real villain of the piece had they choose to cut out the
theatrical antics of Judah. It equally be noted that the amount of
musicians appearing in the film would have been increased has the
casting gone differently with Jon Bon Jovi originally being
interested in playing the lead while Tori Amos was considered for the
role of Sarah only for her to turn down the role.
The role of the Crow
as played by Perez is thankfully not a rehash of the Eric Draven
version of The Crow and even though the make up makes little sense
that he would share the same dark Jester design. True Perez overplays
the theatrical moments as seen during the scene he stalks Spider
Monkey (Castellanos) which just comes off as deranged than
intimidating. Still seeing him stalk his foes with his Spirit crow on
his shoulder looks fantastic much like the scenes of him riding
through the streets on his motorcycle. It’s just a shame that he’s not
given anything to do which makes him any more than your usual action
hero, only pulling out the one creative kill through the film and
certainly giving us none of the themed kills while the Crow outlines
often end up feeling forced.
The villains we get
this time round are far from as defined as they were in the original
film and ultimately come off as something of a mixed bag of
undeveloped characters who like so many aspects of the film you can’t
help but feel would have been much more effective had their
characters been given chance to breathe. Sure they all have their own
vices (drugs, voyeurism etc) but with the exception of the sole
female member Kali (Trang) they are nearly all interchangeable. Worst
of all is out supposed big villain Judah who is just a mess of
theatricality and mystic nonsense. Perhaps Michael Wincott set the
bar too high as “Top Dollar” in the first film but here
everything about Judah feels like a poor imitation.
While the mythology
of “The Crow” was kept simple in the original film here the film
attempts to expand upon things so that its no longer the case that
Ashe has his powers while the crow is alive, but also that its a
power which can be transferred which feels like one of those ideas
which might have worked in the script but only serves to take away
from the film which in its final quarter ends up descending into
mythical nonsense including Ashe being able to command a murder of
crows which really add nothing to the film.
When I originally
saw this film I honestly didn’t care for it, but now rewatching it
and knowing what to expect it feels more frustrating to see glimpses
of what could have been had it not been ultimately another casualty
of Weinstein meddling. What it did give the franchise though was the
potential to go anywhere it wanted essentially as no longer was “The
Crow” just Eric Draven but essentially any person who was wronged
and in the films / novels / comics which followed we have seen that
principle creatively used aswell as the series “Stairway to Heaven”
which ran for one season before being axed on a cliffhanger. In the
scheme of the franchise this might not be the worst, but its a far
cry from the best and as such provides little than a passing
distraction for fans of the series and little really for anyone else.
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