Title: Man of Tai Chi
Director: Keanu Reeves
Released: 2013
Starring: Tiger Hu Chen, Keanu
Reeves, Karen Mok, Hai Yu, Qing Ye, Simon Yam, Iko Uwais
Plot: Tiger Chen (Chen) a Tai Chi student who despite his
master’s concerns uses his training to compete in martial arts tournaments.
However when the temple where he trains is threatened with demolition, he finds
himself fighting for money in an underground fight club run by the mysterious
Donaka (Reeves).
Review: I don’t think when Keanu Reeves announced that he
was making his first foray into directing that it would be a foreign language
martial arts movie but here he does just that with a decidedly less is more
approach, while to an extent creating a showcase the talents of his friend
and martial arts trainer Tiger Hu Chen.
Reportedly based events in Chen’s life even if the facts
surrounding such claims are limited to say the least, here Reeves keeps things
decidedly simple with a more is less attitude as he builds around spectacular
fight scenes provided courtesy of the legendry action director Yeun Woo-Ping while
keeping a strong focus on the action rather than trying to pad things out with
unneeded drama.
Similar in many ways to the original idea for “Ring of Steel” in that it is a story of the corrupting power of money, fame and success; as
while setting out with an honest and pure goal of saving his temple, the
success Tiger achieves fighting in these underground contest and the rewards
that they bring soon causes him to lose track of the reason he is fighting to
begin with, while at the same time having the interesting effect of making his
fighting style increasingly more violent and brutal the further into this world
he is drawn.
While the film follows the usual fighting tournament format
with Tiger facing a seemingly endless line of opponents, each with their own
unique fighting style including “The Raid” leading man Iko Uwais as it leads to
the inevitable showdown with Donaka. What makes it so different is the setup
for each fight, which is not the usual ring surrounded by rich invited guests
cheering and sipping Champaign but often just a plain room while Donaka watches
on from behind mirror glass panels or via the large TV screen in his office and
essentially gives the idea that the sole reason that Donaka is doing any of
this is solely so that he can have the his own live action version of “Mortal
Kombat”. An idea only further reinforced by the announcement to “Fight” and
even the command to “Finish Him” popping up and usually followed by a black
mask wearing Donaka doing the honours when his fighters inevitably bottle it
when given such a command, seemingly only happy to beat their opponent to a
bloody pulp but not finish the job.
Donaka though is a fascinating if at time slightly cardboard
villain and one suits Reeve’s eternally laid back style, while it is an
interesting change of pace to see Reeve playing a villain again, with “The
Watcher” being the only other occasion that he has played anything other than a
variation on his usual good guy role. Still here his chilled out style only
adds to his character who maintains a zen like cool through to the end were he
seems to be taking notes from the Nicolas Cage school of acting including the
bear trap grin which bizarrely make an appearance while he’s having the holy
hell beaten out of him by Tiger. Its unclear though if Reeve’s took on this
role to further the budget or because he genuinely felt like playing the bad
guy for a change of pace. Despite being nowhere near the level of Tiger Chan,
their relationship off screen as Reeve’s martial arts trainer ensure that the
end fight scene still works well with
While the film might have worked well as just a straightforward
tournament movie, the film also follows the feisty Hong Kong Police officer
Sun-Jin Shi (Mok) who is currently trying to investigate Donaka only to find
her undercover fighters keep getting discovered and disposed off before we can
arrest him while her refusal to give up on the case makes only further makes
her the ire of Superintendent Wong (Yam). Mok’s character here makes for an interesting
sub-plot and helps to fill in the background for Donaka even if her link to
Tiger just remain frustratingly underused and only really comes together out of
convenience to the plot rather than the major plot line it should have been
when Tiger agrees to become a mole for Shi’s investigation after the true
reality of his situation becomes apparent.
Unquestionably though the real selling point are the
frequently inventive fight scenes which are every bit the intended showcase of
Tiger Chen’s obvious talent, while the range of styles on offer only help to
keep things interesting especially when Chen starts letting his darker side
take over more and more. At the same time Reeves manages to pull out several
surprising fight locations including one ring which not only comes with a
groovy blacklight theme but also has a surprise strobe light effect which kicks
in when the fight starts to tip in Chen’s favour, though honestly this
experiment kind of failed as while it looks pretty, the movement of the actors
only comes off erratic when put under the strobe. Despite this slight misstep Reeve
shows a clear love of the genre especially with the involvement of Yeun
Woo-Ping’s much sort after skills as an action director only further helping
this film stand out from the numerous questionable entries that the DTV market
has seen a recent influx of with the film unquestionably being a vast
improvement over the likes of “Tekken” and the frustratingly hit and miss “Ninja”.
While this might not be high art film making it’s still an
incredibly enjoyable film and one which raises plenty of questions as to where
Reeve’s will go for his next film especially when a large part of me would more
than happily see him give us more of the same, much like Tiger Chan who while
he might not currently at the time of writing have anything on his release
slate is certainly a talent worth following.
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