Title:
Youth In Revolt
Director: Miguel ArtetaReleased: 2009
Starring: Michael Cera, Portia Doubleday, Jean Smart, Mary Kay Place, Zach Galifianakis, Justin Long, Ray Liotta, Steve Buscemi, Fred Willard
Plot: Nick Twisp (Cera) in a funk: unable
to find a girlfriend while belittled over his love of classic cinema and easy
listening records. However after meeting Sheeni, he creates a rebellious
alter-ego named Francois Dillinger to help him win her away from her boyfriend.
Review: Another of those films like "Drive" which was horribly
misold to audiences, in this films case it was as another throw away teen comedy, let alone one featuring
Zach Galifianakis who at this point was still riding high on the surprise
success of “The Hangover”. What we get instead is something a lot more subtle
and intelligent, while Galifianakis’s contribution here is little more than a
glorified cameo.
Right from the start it’s clear that things
are pretty crappy for Nick, as he has to endure his oversexed mother and her
string of loser boyfriends while being generally belittled for his eccentric
tastes by those around him, making his connection with kindred spirit Sheeni
and winning her affections only the more important, while her love of Jean-Paul
Belmondo unquestioning plays it part in his creation of his alter-ego,
alongside the repeated pounding he gets for a trying be a nice guy as in this
world nice guys unquestionably finish last.
Played in many ways like a wilderness years
version of “Fight Club” here Cera pulls double duties as Nick which sees him
once again working his usual awkward charms, while also getting to play his
anarchic and permanently chilled, let alone pencil thin moustache wearing
Francois as he constantly switches between the two character while occasionally
being both at the same time. It’s a performance that is only heightened by
Cera’s dry narration let alone the sheer don’t give a shit attitude of Francois
who starts off smashing Nicks records and tossing over cereal bowls to quickly
moving onto arson all with little concern for the consequences, especially when
they befall Nick, even if he does take a belting for him the majority of the
fallout of his actions falls on Nick.
Perhaps because the film features Cera
playing a much different kind of role to what have become accustomed to seeing
him playing, that the film is as much fun to watch let alone the fact that
Francois essentially is Nick’s version of Tyler Durdan only
with less of an interest in wide spread anarchy, but instead has more interest
causing chaos whenever the opportunity presents itself rather than seeking it
out. Luckily here these kinds of situations frequently present themselves,
making it all the more baffling that Nick is able to get away with as much as
he is.
While the tone of the movie is frequently
an uncomfortable one, especially when it comes to his home life reminisant of
“Napoleon Dynamite” it only makes it all the more welcome when the film moves
away from these areas and instead focuses on his complex relationship with
Sheeni or him being led astray by Francois which also includes him leading Nick
into using some truly filthy seduction techniques, during an ill-fated attempt
to visit Sheeni at her all girl French speaking boarding school. Director Arteta’s
shooting style meanwhile frequently keeps the film interesting as he mixes in
random moments of animation, including a fun stop motion opening charting his
journey to Jerry’s trailer, while avoiding the angry sailors Jerry has just
ripped off shown here as an angry three headed giant.
The downside here though is that the film
draws you in with its impressive cast list, only for most of them to be little
more than cameo appearance with the exception of Buscemi who is on top shouty
form as Nick’s dad who could be mistaken for being a more domesticated version
of Seymour from “Ghost World”. Elsewhere Fred Willard gives us his usual stique
as Nick’s neighbour and whose odd nature is really worked to its maximum
potential.
While wrongly sold as just another summer
teen comedy, this film is a lot smarter than you’d expect and one really
carried by Cera who previously unseen range demonstrated here, makes me wonder
what else he might be hiding in his actor toolbox. At the same time the film
has such a fun anarchic spirit which when combined with its indie styling only
makes it more of a shame that this film currently remains as under the radar as
it does. True towards the end it does
feel like it is spinning its wheels for time, but largely this is a fun and
original dark comedy that’s worth hunting down.
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