Title: Tiny Furniture
Released: 2010
Staring:
Plot: Aura returns home from college to her artist family’s
TriBeCa loft, with nothing but a degree in film philosophy, a failed relationship
and generally no idea on what to do next with her life, while her personal life
issues only continue to throw her into a further tailspin.
Review: For those of you who follow either my Twitter or
Facebook feeds, you will know already what a big fan I am of “Girls” which I've already
proclaimed as being “one of my first must see's of the autumn TV
schedule” while also a show also created by and staring Dunham and which now also seems
like an expansion on the ideas explored in this film, for here once again
Dunham gives us the counter to the NY fantasy of “Sex and The City” as she
instead gives us the reality of life in the city or perhaps more accurately life in
lower Manhattan than perhaps one of the more sleazier neighborhoods of the
city.
While mumblecore (uber low-budget comedy-drama films) as a
genre is supposedly dead, this is still one of the more fun additions to this
frequently over looked (often with good reason) genre, especially after the mind numbing banality of
“Hannah Takes The Stairs” which until now had been the last of the handful of
films which I had seen from this genre and which honestly had not exactly had
me rushing out to see more, especially when the main
focus is often on college kids sitting in front of the camera and having supposedly
riveting conversations, while in many ways trying to emulate the same dialogue
driven film making which made “Clerks” so memorable. However that film is a fitting
starting point when it comes to describing this film, as this is essentially a
film were nothing really happens much like “Clerks” only this time we get to
see more than three locations, as Aura attempts to get her own life in check,
only without none of the “were did it all go wrong” lament that Dante became
such a memorable character for. Aura on the other hand is instead more lost,
having left college with no real career plans, a useless degree in film
philosophy and boyfriend who ended their relationship in favour of returning
home to Colorado to see about the spirits of his ancestors. Still like Dante,
Aura has her own group of social misfits to deal with only this time disguising
themselves as members of the Tribecca art crowd rather than New Jersey
slackers, with Aura finding herself with a ever increasing list of problems
often without trying as she has contend with her permentley distracted
photographer mother and pretentious younger sister (played by Dunham’s real
life mother and sister). Her social life is non the less chaotic, as she
switches between two potential suitors, Jed (Karpovsky) a minor internet
celebrity who like Aura has clearly bought into his own band of bullshit as he
deludes himself constantly that he is on the verge of making his big break
while freeloading of Aura, despite having zero intrest in having any kind of
relationship with her. Her other potential suitor is Keith, a chef at the
restaurant Aura takes a hostess job at, who is frustrated with the porn
obsessed antics of his fellow chefs, disgusted by their attempts to show him a
video entitled “Cum Omelette” while at the same time openly admitting to a love
of tentacle rape porn. Still compared to Jed he is easily the lesser of two
evils even though he has a girlfriend, which ultimately has zero effect on
things here, especially as she is only ever mentioned but never actually seen.
The cast are all likeable enough with Dunham proving herself to be an equally engaging and charming lead, while her her average looks only further plays to her advantage, as she is not just another pretty leading lady, bumbling from situation to situation before finally finding her prince charming, even more so as by the end of this film very little is actually resolved if at all, somthing which will no doubt irritate those who prefer thier endings alittle more closed than the one you get here and as such it reminded me of the likes of "Ghost World" and "Welcome To The Dollhouse" both of which make for excellent further viewing, even more so when they seem to explore similar themes with thier own directionless girls.
Ultimately the film like so many other examples of the
Mumblecore genre frequently can seem like a string of seemingly random encounters and conversations
strung together with the loosest of plotlines, with Dunham relying more on the
appeal of her characters and their frequently random conversations to drive the
film, rather than any kind of drama or action, something which will no doubt be
the tiping point for most, especially those of you who like your films with
alittle more action than you certainly get here. Still despite this, I found
myself immersed in this film, perhaps largely due to my love of well written
dialogue, but needless to say I found it anything but a boring experience,
perhaps outside of the occasional irritance at characters like Jed, who is
continually such a pretentious douche, yet at the same time it was hard to
figure out if he had been intentionally written this way or not.
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