Released:
Starring: Joaquin Phoenix, Scarlett Johansson, Amy Adams, Rooney Mara, Olivia Wilde
Plot: lonely recent divorcee Theodore (Joaquin Phoenix) who soon finds himself forming an unusual relationship with his operating system Samantha (Scarlett Johansson).
Review: Has it only been four years since Spike Jonze’s last film?
No doubt for those of us who skipped over his adaptation of “Where the Wild
Things Are” it would mean eleven years since he has graced a cinema screen with
his unique world view. This is not because he has been not working, as a quick
glance at his IMDB page over further reinforces the fact that he is still one
of the hardest working directors out there, as while he might not have been
directing features, he has still been racking up credits either producing
projects like “Bad Grandpa” or directing music video and short films, while
still finding time to direct more skate films and even put in the occasional
acting role. Now though he has finallyreturned to bring us another truly
original vision, which is equal parts sci-fi and surreal romance.
Okay true the plot might be alittle.....oh all right it’s
batshit insane, but trust me when I tell I tell you that it is also a
surprisingly touching and sweet story of a very unique relationship, but it is
still a highly accessible film, but then Jonze has always been the kind of
director who can take a truly out there premise and lead an audience through these
frequently surreal with none of the confusion which they may get from similar
cinematic journeys in the hands of a director like David Lynch, Lars Von Trier
or perhaps Alejandro Jodorowsky. So instead what you get here is a sweet love
story, only instead of one between two people, it is instead about one between
a man and a program.
While the fact that such a premise actually works is
surprising enough, what is more suprising is the low key performance from
Phoenix who once again reminds us of his range, as he grows a questionable
moustache and truly gives the performance of someone whose world has been
crushed with the failure of his marriage. Now he lives solely for his job where
he spends his day ghost writing letters between couples in a role which also
serves as his sole emotional output, for away from the office he has created a
cocoon of solitude, while mainly spending his evenings putting off invites from
his few close friends or playing video games. Needless to say the arrival (or
should that be purchase) of Samantha soon turns out to the solution to Theodore’s
problems as she helps not only to life him out of his slump, but to break out
of his comfort zone aswell.
Needless to say Johansson is perfect for this role which is
essentially one of a glorified narrator, as her sultry tone, always one of her
best features really comes into play here and in many ways not making it too
surprising that the relationship between Theodore and Samantha grows as
naturally as it does. It is equally worth noting that Samantha is not like Suri
which from the synopsis she might sound and leading some critics to brand this
film “Suri: The Movie” aswell as drawing immediately comparisons to the episode
of “The Big Bang Theory” were Raj starts up a questionable (one sided)
relationship with his phone. Samantha is instead the equivalent of having a
real person on the other end of the phone ready to answer your every whim. Even
more intresting is that Samantha with constantly evolving the more contact she
has with Theodore, while able to access any part his life that uses a computer,
so allowing her to read through his e-mails and work all the while adjusting
her personality and molding herself essentially into the perfect (if formless)
woman.
Of course the idea of embarking on a relationship with a
woman who is solely a voice is always going to be a challenging one, but a
question certainly asked here while certainly pleasing those who were wondering
how the subject of sex would be handled, which in this case starts of
predictable enough with enthusiastic phone sex, which certainly comes off a lot
more normal than the phone sex he has with supposed humans, especially as it
doesn’t involve the use of a dead cat as one memorable encounter includes.
Needless to say these are all puzzles which Jonze takes
great delight in finding inventive solutions for, with sex with a formless
girlfriend being seemingly resolved via the use of a body surrogate, in
possibly one of the more unnervingly surreal moments of the film, as the
surrogate responds to what Samantha is playing out. The result is
unquestionably uncomfortable viewing with Phoenix almost tapping into the
audience psyche with his awkward reactions to what essentially someone playing
a living doll.
The relationship between Theodore and Samantha however goes
a lot deeper than awkward phone sex as their relationship plays out like any
movie romance, especially as Theodore confidence continues to grow and he stop
questioning just how normal his relationship is, especially as he soon learns
that he is not the alone in this situation, while Jonze almost teases the idea
of such a relationship becoming as normal as any other relationship, though
saving a cold reality of how one side truly views the relationship for his
finale which while certainly providing closure still felt like it had been
pulled out of nowhere.
The world of “Her” could be best described as near future
for while it comes with a lot of technical advancements, which build on many things which already
dominate our day to day lives such as mobiles and tablet computers. At the same
time though this is not so far in the future that it is unrecognisable. What
Jonze does here is to simply exaggerate them. At the same time with the relationship at the
heart of the film, he could almost be seen as questioning society’s current
love with technology, would it be such a leap that if given a the option of
technology being developed to save us the disappointment and potential
heartbreak of the dating game that some wouldn’t take on such an opportunity.
Most of us live off our phones or computers to cover most aspects of our lives,
so why not your relationships aswell?
Clearly in the time between films Jonze has lost
none of his quirky style and here it shows even if this is one of his more
straight forward films. I can only hope that the wait until his next film isn’t
so long as cinema clearly still needs visionaries like him, if only to shake
things up.
No comments:
Post a Comment