Title:
Jodorowsky’s Dune
Director: Frank Pavich
Released: 2013
Starring: Alejandro Jodorowsky, Michel
Seydoux, H.R. Giger, Chris Foss, Nicolas Winding Refn, Amanda Lear, Richard
Stanley
Plot: Documentary charting the development
and eventual collapse of surrealistic director Alejandro Jodorowsky’s attempt
to adapt Frank Herbert’s legendry sci-fi novel “Dune”.
Review:
In 1975 riding high after the success of midnight movie favourite “El Topo” and
the equally surreal “The Holy Mountain” director Alejandro Jodorowsky was given
the opportunity to direct any film he wanted and oppotunity Jodorowsky choose to use to
adapt “Dune” despite never having read the novel and instead going off a
friends recommendation that it was a good book.
While the film would never see a day of filming, its influence would be
felt in the films which followed in its wake as this documentary sets out to
highlight with director Frank Pavich interviewing nearly all of the major players
who worked on the film. A crew who Jodorowsky calls his “Warriors” as he not only tells
the story of the films development and collapse but also gives us an insight
into the vision that Jodorowsky had for the film.
For
those familiar with Jodorowsky already, they will be unsurprised that despite being older he is still as crazy as ever as he practically fizzles with enthusiasm for
the project even though at the time of its collapse it left him questioning if
he would direct again. Here though he is front and centre as he guides the
viewer through his vision which now forms a telephone book of design sketches
and storyboards. At the same time it’s within the contents of this book that
both the genius and madness of his vision is revealed. More so for the latter
as Jodorowsky envisioned a 15 hour film despite the studio only allowing him to
making a two hour film.
Such
creative extravagance is very much the running theme here as for his vision
Jodorowsky seemingly was working with an unlimited budget when you consider such things as his decision that the two houses at the centre of the story would each
have their own distinct visual style which saw him bringing in both Dan O’Bannon
and H.R. Giger to help craft the visual style for the two houses, while also believing
that each house should have their own band providing their musical cue’s and as
recruited both Pink Floyd and Magma to provide this, though sadly no example exist
in one of the occasional gaps in the production not covered here.
One
of the most intriguing aspects of the film is seeing who Jodorowsky has in mind
for the cast which saw him casting Salvador Dali as the Emperor of the galaxy,
David Carradine as Duke Leto and most excitingly Orson Welles as Baron
Harkonnen. In a bizarre twist he also felt
that a musician would be best suited for the role of Feyd-Rautha, as he saw
Mick Jagger in the role which would ultimately be taken on by Sting in the
David Lynch directed version which would ultimately be the version we were
given.
Pavich
unquestionably assembles a great set of interviews here as he doesn’t contend
himself with just interviewing Jodorowsky’s “Warriors” but also brings in
outside opinions from several critics who highlight the influence the film
would have on numerous classic sci-fi movies which followed in its wake as Star
Wars, Alien and err Masters of the Universe given amongst the examples, as O’Bannon
and Giger carried across unused ideas to other projects. We also have equally visionary directors Richard
Stanley aswell as Jodorowsky’s prodigy of sorts Nicolas Winding Refn who has
openly admitted to drawing inspiration from Jodorowsky’s work for his last two
films. Stanley meanwhile is no stranger to troubled productions as seen with
his attempts to adapt “The Island of Doctor Moreau” as recently documented in “Lost
Soul: The Doomed Journey of Richard Stanley’s Island of Dr. Moreau” and like
Refn provides some great opinions on the project as one of the few outsiders
who have been given access to the production book, something which I’d love to
see released perhaps as an ebook.
For
the fans of Herbert’s novel they might find Jodorowsky’s loose adaption
slightly offensive especially when it seems frequently that his vision is “Dune”
in name only, a situation he puts it so memorably as “I was raping Frank Herbert…with
love” combined with the fact that like so many of the production team he never
read the source novel. This however doesn’t stop the production from coming
across any less interesting it just leaves the established fans perhaps a
little bewildered as to what has happened to the story they love so much, less
what exactly gives Jodorowsky the right to make such changes.
A
fascinating documentary and interestingly one which treats its development as
if the film had been made and as such showcases the material with only a dash
of bitterness and resentment for the film not being made and more so for
producer Dino De Laurentiis buying up the rights for David Lynch to direct. As
such the documentary embraces the journey the production took aswell as teasing
as to what could, while at the same time certainly being boosted by the
frequently random and tireless enthusiasm of Jodorowsky, so that even if you’re
not a fan of his films there is still much to enjoy here.
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