Title: 12 Rounds 3: Lockdown
Director: Stephen Reynolds
Starring: Dean Ambrose, Roger Cross, Daniel Cudmore, Lochlyn Munro, Ty Olsson, Sarah Smyth, Rebecca Marshall, Toby Levins, Bill Dow, Sharon Taylor, Matthew Harrison
Plot: Detective John Shaw (Ambrose) returning from recently being shot while on duty in an incident which claimed the life of his partner, he has little time to settle back into work when he accidentally uncovers incriminating evidence about fellow detective Tyler Burke (Cross) who soon locks down the precinct with his team of dirty cops leaving Shaw alone to get the truth out.
Review: The second of the “Action Six-Pack” series from Lionsgate and WWE Studios after the Soska Sisters prison drama “Vendetta” the script for this film originally titled just “Lockdown” was nothing to do with the previous “12 Rounds” films, but with the studio clearly keen to have another franchise to go alongside their ever popular “Marine” series the script was reworked to create this second sequel to the Renny Harlin original which stared John Cena. Unlike the previous two films though which saw their hero being forced to complete 12 challenges, this film does away with the concept entirely and instead goes with the much more literal 12 rounds which Detective Shaw has in his gun to take on the dirty cops now hunting for him.
When it comes to the WWE Films its always with a sense of impending dread and hesitation that I often find myself entering into these films with. More so when it means being faced with Wrestlers not being able to carry the charisma of their ring personas over to the screen. There was a brief period were this issue was countered by the films featuring the wrestler in a supporting role as seen with the likes of “The Call” and “Dead Man Down” but lately they seem to be drifting back to the original model of having the wrestlers play the lead roles. True we have had several wrestlers who’ve proven themselves capable of carrying their films such as The Miz and to an extent Kane but at the same time we’ve also had the clumsy comedy of Triple H in “The Chaperone.
When it comes to Dean Ambrose whose ring persona is that of a deranged lunatic you’d expect to see him cast in a role like Riggs from “Lethal Weapon” and despite seemingly being introduced as the sort of cop who plays by his own rules end up coming off like more of a John McClane styled character especially when this film boils down to what is essentially Die Hard on a budget. At the same time Ambrose might not be the worst wrestler turned actor but at the same time here he never seems to ever get out of first gear with his persona which generally just stays on one level throughout the film. At the same time his character is barely developed throughout the film, despite plot points being scattered throughout the film such as his responsibility over the death of his partner we never really get a feeling of him being a fully developed character especially when outside of this fact we don’t get to know anything really about him.
Roger Cross’s dirty cop Burke on the other hand is an almost cartoonish villain seemingly modelled after Alonzo Harris from “Training Day” who somehow has a whole mini-army of fellow dirty cops who he can not only bring in at a moments notice, but are somehow able to lockdown the whole police station with minimum amount of hassle, let alone how easy Burke is able to convice everyone that Shaw is the dirty cop which would be easier if he was the loose cannon kind of cop you’d expect Ambrose to be playing, but when he’s been viewed as the good cop who just wants to make a difference it makes zero sense that he could be so easily framed.
Another issue the film has is that Shaw never has someone to play off like McClane had Al in the original “Die Hard” and instead leaves us with scenes of him muttering to himself and Burke barking orders and generally voicing his frustration at constantly being thwarted in his attempts to take out Shaw. We do get the rookie office Taylor (Smyth) who seems to be introduced to fill this role for Shaw and perhaps in some way help redeem him for getting his partner killed, but sadly she never gets to play much more than a bargaining chip between Burke and Shaw.
Thankfully the action scenes here really make up for a lot of the flaws in the film with Reynolds crafting exciting scenes of both gun play and general hand to hand combat with Shaw showing the same kind of inspired thinking on his feet which made John McClane such a memorable action hero as seen here by him convincing the bad guys he’s gone into the vents when he’s actually hiding out in the same room.We also get a unique use for a taser which really needs to be seen.
While the plotting is pretty standard and by the numbers it largely works and plods along nicely throughout while being broken up with decent bursts of action. However it is let down by the final act which sees the inclusion of a much unneeded double cross which should have been cut out as it not only has zero effect on the plot but doesn’t make the slightest bit of sense.
On the whole this is like so many of the WWE Studio films in that its disposable yet entertaining and if anything much like “Sausage Party” I’m actually kind of concerned by how much I enjoyed this one, though hardly a breakout role for the acting career of Dean Ambrose. Still compared to the dreck being churned out by the likes of the Sci-fi channel you really could do a lot worse than giving this a watch.