Title: Texas Chainsaw 3D
Director: John Luessenhop
Starring: Alexandra Daddario, Dan Yeager, Trey Songz, Scott Eastwood, Tania Raymonde, Thome Barry, Paul Rae, Bill Moseley, Gunnar Hansen
Plot: Picking up the shortly after the events of the original film as a group of vigilantes burn down the Sawyer family home and seemingly killing every member of the family. Decades later Heather (Daddario) finds out she has inherited a mansion from her grandmother, only to find out that it holds more than its share of secrets.
Review: A film I’d originally dismissed as another attempt to cash in on the legacy of Tobe Hooper’s breakout film and former Video Nasty which wouldn’t get a UK release until 1999. Despite this the studios have frequently been keen to milk the franchise and turn its chainsaw welding maniac into another iconic slasher figure. Due to this I had little intention of watching this film, especially after the abysmal “Texas Chainsaw Massacre: The Begining” which kill dead any potential momentum the original and surprisingly decent remake had. It was infact only after hearing Emily and Christine recommend the film on their podcast “The Feminine Critique” that I thought it was time that I finally give it a watch.
In a unique twist this film doesn’t attempt to remake the original film, but instead takes the unique move of following on directly after the Tobe Hooper original ignoring all the films which followed which if you haven't seen already director John Luessenhop helpfully spoils by giving you a highlight reel of all the best parts. True this does help bring the viewer up to speed to were he wants to start his film, but I can’t help but feel this is kind of a downer for anyone who chooses to start with this film or enters it expecting a delayed follow up to the 2003 remake. Suprisingly the film was originally pitched as a new trilogy with the films being released out of order with the first film being set in a hospital, the second film would act as a prequel and the third completing the storyline. The producers however feeling that audiences might not get the ambitious idea instead scrapped the plans in favour of the film we have now while for no discernible reason also releasing it in 3D.
Seemingly a fan of the series Luessenhop opens with a siege on the home of the family of cannibals now known as the Sawyers in a scene which not only attempts to rip off the opening siege of “The Devils Rejects” but also features some of the worse CGI fire effects ever. Still for the fans we get cameos from Marilyn Burns, the original Leatherface Gunner Hansen and Bill Moseley who played Chop Top in “The Texas Chainsaw Massacre 2”. Having killed off the family and burned the house to the ground we now move forward to present day and the introduction of Heather and her friends as they road trip out to the mansion she’s now inherited from the grandmother she never knew she had.
Okay before I go any further lets just say that there will be a few spoilers ahead, so if any of what I have covered so far sounds interesting then give it a watch and if it didn’t well the original is always going to be there.
Right from the start its clear that Heather is far from the usual scream queen as we are shown her working in a butchers shop, carving up with almost glee meat using a bandsaw while her home she uses as a studio for her bone art. Now I’m not going to say that attractive girls can’t be Butchers or have an interest in the grotesque arts, but this is the movie world and hence nothing can usually exist without hinting at something else and the film really put as spin on the mythos as Heather slowly discovers her links to the Sawyers.
The main plot worryingly starts off perhaps alittle too similar to the original film as Heather and her friends pick up a hitchiker, or should I say they almost hit him with the fan before deciding to pick him up, something which he’s surprisingly not overly upset over since he can blag jerky off them. I was half expecting this hitchiker to have some link to the family which he doesn’t though he does attempt to steal pretty much anything that’s not nailed down when Heather her friends deem him trust worthy enough to leave at the mansion. A strange move seeing how they’ve only known him for about five mins but atleast he ends up falling foul of Leatherface so I guess theres some sort of karma there.
While the hitchiker might be a thieving SOB, her friends are equally none that brilliant as we have her douche bag boyfriend Ryan (Songz) who is off from his first introduction so it comes as little suprise to discover he’s cheating on her with her best friend Nikki (Raymonde). The sole redeaming member of the group is Kenny (Malicki-Sanchez) but he’s frustrating never given much to do making his early departure all the more sad especially when there is much more deserving victims to be had.
While this might all sound like another run of the mill slasher with the good looking teens being chased by the hideous killer, but surprisingly Luessenhop is actually trying to do something different with the mythos this time round by turning an ageing Leatherface into the blunt instrument of justice. For the first half of the film its business as usual for him but by the second half of the film were we find out about the corrupt cops in town and Heathers relationship to Leatherface has been reveals via some rather ropey quick cuts as she looks over a police report it could be seen that Leatherface wasn’t actively hunting the teen but rather defending in his own warped way his home.
Leatherface played this time by Dan Yeager really lacks the required presence that Gunnar Hansen brought to the role or just the hulking size of the 2003 version. Despite being 6’6 here he seem a lot shorter thanks to how he’s shot by Luessenhop which remove a lot of the characters daunting presence and ultimately came off a little tepid while the less said about that stupid tie he randomly puts on for the finale showdown the better. I mean is that supposed to symbolise him going to work?
The kills throughout are a lot of fun with some frustratingly being reworked or recycled from the original film, something alittle harder to ignore when you show us all the original kills at the start of the movie. Still the final pay off gives us a memorable death which is only hampered slightly by the use of CGI, something which is such a common issue in modern horror it almost feels like a pointless exercise to mention it. Sure its easier for the film maker by cutting down on the shot reload time but when it comes at the cost of presence for the viewer should the film makers convenience always win out?
While far from the best entry in the series its equally not the worst and certainly brings enough unique ideas to make it worth giving a look, but this is far from the film to represent the tone of the franchise.