Title: Flash Point
Director: Wilson Yip
Released: 2007
Staring: Donnie Yen, Louis Koo, Collin Chou, Lui Leung-Wai,
Fan Bingbing, Ray Lui, Xing Yu, Ben Lam
Plot: Set in pre-1997, Ma Jun (Yen) a cop known for beating
up suspects during arrests, teams with Wilson (Koo) an undercover cop, to try
to bring down three merciless Vietnamese brothers running a smuggling ring in
the months before the mainland's takeover of Hong Kong. The eldest, Archer
(Lui) is arrested in an operation that exposes Wilson and almost gets him killed and setting
Ma Jun on course for revenge.
Review: Ever since I saw “Once Upon A Time In China: Part 2”
I’ve been a big fan of Donnie Yen, especially with the climatic showdown in
that particular film being easily one of my favorite all time fights and one
which we would have to wait a further ten years to see the rematch in Zhang
Yimou’s beautifully shot “Hero”. Needless to say Yen has gone on to make some
fantastic films including my personal favorite “Iron Monkey”, yet for one
reason or another it feels that it is only really now that he is truly being
recognised for the highly skilled martial artist that he is.
The third film to be made with director Yip, who’d
previously worked with Yen on “Kill Zone” (which this film is a prequel of sorts to) and “Dragon Tiger Gate” and it's a powerful
combination that the two men form with this success together later leading them to working together on IP Man 1 & 2. With Yip directing the main meat of the film, while he entrusting the fight
choreography to Yen, who uses the film essentially as a further showcase for his love of
MMA, which here he integrates with his more traditional and trademark wushu and
taekwondo style to devastating effect and unsurprisingly it would lead to Yen winning
“Best Action Choreography” at both the Hong Kong and Golden Horse Film Awards.
Yen meanwhile ensures that the film is kept as fast paced as
possible, even if he does tease out the main fight scenes until well after the
halfway mark, which makes “Flash Point” for me is similar in many ways to the
Bruce Lee classic “The Big Boss” in that Yen is forced to promise that he won’t
beat up anymore suspects following numerous complaints regarding his heavy
handed tactics, an echo almost back to Lee’s character making a similar promise
to his mother and hence like that film, it does actually take a fair bit of
time before Yen gets to actually fight anyone and even then it’s only really
after his undercover partner is hospitalised, following his cover being blown
that Yen is allowed off the leash.
These fight sequences are nothing short of brutal with the potent
style which Yen has crafted here by combining fighting styles, not
only looking spectacular on screen, but frequently leaves you asking how they
actually achieved some of the footage seen here. With Yen having the control he does over
the fight choreography he also ensures that the maximum effect is felt with
each of these scenes, with each shot carefully planned out while also clearly
not working to any kind of time limit, especially with the final showdown
clocking in around twenty minutes starting with John Woo style gunplay, before
quickly evolving into a full blown smack down as Yen and Chou engage in a round
of Kung Fu one-upmanship. Needless with Yen calling the shots for these scenes,
it also makes it easier for him to portray himself as the all conquering
badass.
Plot wise this film may seem alittle plodding, especially
for those of you who like your Kung Fu movies more fast and furious, especially
with the fight scenes appearing in the later part of the film. The first half
is played out more like a crime thriller, until Ma Jun sets out on his path of
vengeance and generally kicking a lot of ass. Still this first half does also
have perhaps the most original assignation attempt ever, with the use of an
explosives packed chicken! This first half also highlights a lot of the films
weakness such as the simple storyline and lack of form of complex
characterisation, especially with the badguys who are undoubtedly scumbags from
the start, while the police are hindered by continual stupidity amongst the
ranks which see’s witness being provided zero protection and leaving them easy
pickings for the badguys, even Wilson’s girlfriend (Bingbing) is easily
kidnapped in a plot device used more for a setup for the finale, rather than
anything which makes logical plotting.
Despite such weak plotting, the short run time of 84 minutes
means that it’s a minor complaint, especially as when you start questioning it,
Yen kicks the film up a gear by exploding into action, while Chou proves a more
than capable challenger especially after being one of the best parts of “The
Matrix Reloaded / Revolutions” were he appeared as the white trench coat clad
Seraph. Meanwhile the rest of the cast are all likable enough with Koo
providing strong support as the Wilson,
whose constant fear of being discovered as an undercover copy is well played
throughout with the lead up to his exposure as a cop played with nerve
shredding suspense.
It might not be perfect in many ways, but the sheer strength
of the fight scenes on offer here, make it easy to overlook a lot of the flaws,
especially as Yen continues to showcase exactly why he is one of the best
martial artists currently working today. Needless to say it’s cinematic junk
food for action / kung fu fans so just make sure to leave your brain at the
door.
Great review. Loved Flash Point. The fight scenes are top notch.
ReplyDeleteIt's the sort of movie along with the likes of "The raid" which remind that there are still jaw dropping Martial Arts movies being made.
ReplyDeleteCan't agree more!
ReplyDelete